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M A T E R I A L __S E L E C T I O N. A HARMONIOUS combination of all textures, colors, and details creates the style and character of the object. Therefore, material selection is an extremely important part of the work. This stage is crucial and requires time. It's necessary to compare materials in person, create sample swatches, bring samples to the site, and apply them to already approved interior/exterior elements. This is essential because photo representation alters the colors and structure of the material. This process should be approached responsibly, as the cost of a hastily made decision can double due to rework.
Let's take a closer look at this process using the example of selecting paint color or decorative plaster for walls:
First, it's necessary to decide on approximate shades from the catalog, selecting several tones that would be most suitable.
The next stage involves creating sample swatches. One or several options are ordered from the supplier in the smallest possible volume, after which they are applied to sample boards or directly onto the walls, approximately one meter by one meter. This is done because paint looks different under various lighting conditions, so it's essential to check how it appears not in the catalog or showroom, but directly in the room, under both natural and artificial lighting.
Color perception varies among individuals, and it's important that the chosen palette suits you specifically. Therefore, it's necessary to assess how the selected shade looks on-site.
On one hand, the process can be simplified—look at the catalog, choose a shade, and just paint. But on the other hand, there's a significant risk that the color will turn out too dark, light, or saturated, leading to additional costs for repainting.
With any other materials, a similarly gradual approach is important. From selecting tiles to choosing textiles, thoughtful and meticulous work is crucial. Textile selection is usually the final stage. It's the dot over the "i." It's important to place it accurately. Therefore, samples of textiles for upholstered furniture, curtains, blinds, and decorative elements should be brought into the nearly finished space, evaluated under both daytime and evening lighting, and ensured that nothing irritates or clashes with the overall concept.